Wednesday, March 22, 2017

Absence makes the heart grow fonder

On the easel today, Twilight II, pastel, 6x6 inches. It began with an oil wash then pastel. I took it to my Friday afternoon painting group and put pastel on and wiped it off for a couple hours. Back in the studio I did the same. Finally, to avoid ripping it up, I punched it up with blue Nupastel, a warm violet Unison and a warm white Terry Ludwig and then I turned it around and walked away believing I would be throwing it away the next time I saw it. But, apparently, absence makes the heart grow fonder because after four days of gardening I'm back in the studio and my first impression is hmmmm....instead of aaarghhh. There might be hope.

How this painting began...click on the image to view the videos.

https://www.youtube.com/playlist?list=PLZ7DAnuOUD5cvYAHISSe2CvAoAxs9YHvb






Thursday, March 16, 2017

Two From My Book

I just finished packing up seven paintings to deliver to Attic Gallery, Camas, WA. Suddenly there is a big blank space on my Studio wall that makes me want to paint scenes to fill the space. Originally I hung paintings in the studio because of a lack of storage space. I enjoyed them but after just removing seven, I realize the paintings had actually become just wallpaper to me. Two of the paintings were painted for my book, "Pastel Drawing" and are the subjects for page 139. I would like to send them off to a new home. They are both available on my DailyPaintworks Gallery.

Where the Heart Is, pastel, 11 x 8.5 inches

Sunday Walk, pastel, 11 x 8.5 inches

Thursday, March 9, 2017

Checking up on myself

Left, Color Study 6x6 inches                Right, 25x25 inch pastel in progress
Switching my eyes and brain from my 6x6 inch color study to the 25x25 inch pastel on my easel requires stepping back, leaving the room, reentering with my eyes on the easel, etc. Another tool is to photograph the work in progress (shown above on right) and place the photo beside the photo of the color study with both the same size. Now I can see some shapes and compositional signposts I need to correct in the larger painting.

An even more useful look is comparing the two paintings as value only. Without the distraction of color, this comparison is very helpful for composition and directional elements. It's good to check up on myself so I stay on track with what I'm trying to accomplish.

Wednesday, March 8, 2017

Golden Afternoon III Update

For those of you just tuning in, I am repainting Golden Afternoon II. I'm using my 6x6 color study as my reference (see it to the right of my easel in the photo above).

When I started working on this painting, I shot short videos of each step but soon I got involved in painting and forgot to make more videos. If you would like to see the first five steps, the links to videos are below. Once you watch one video, you should be able to find the others on my YouTube list rather than coming back to these links.

See Step 1 video
First I brush off as much pastel as possible with a cheap "chip brush."

See Step 2 video
I can remove additional pastel, especially in the lightest areas with an alcohol spray and a cotton cloth.

See Step 3 video
I lay in the darkest areas with a dark soft pastel (Terry Ludwig brand)


See Step 4 video
After darks, I apply the lightest areas with a soft light yellow (Terry Ludwig brand)

See Step 5 video
With a hard pastel I lay in yellow areas (NuPastel brand).

OR...This is the link to all five videos in one Playlist.