About the time that I was struggling to see the high-key painting I was working on, I received an email from Beth asking about my Studio lighting. I finished the painting but when I took it off the easel and walked around the studio with it, it looked different depending upon the light. After a couple days of thinking about it, I decided that to paint my best I really need all the natural light I can get. So, I ripped my Studio apart (again) to move both easels for natural light. If you have a studio and a bunch of STUFF you know it isn't just moving the easel. Much better now.
I spent a long time selecting my track lighting and I'm very happy with it but it is very bright and I needed a more subtle light for high-key work. Now, I have the option of using natural light from the windows, overhead light (very warm) or track lighting (color corrected but very bright).
